If you compare this song with Lena’s
Satellite, from 2010, you’ll find some common parts. Mainly it’s sticking out
from the rest. It’s its own universe. It can’t be said to be a part of the
common, ordinary suspected ones. In both cases it also depends upon the
artist. The artist creates the song as being her own. Being a part of her. Or
better, as it worked all the way, becoming and being herself.
The Euphoria music and lyrics are, like in the case of Lena’s
contribution 2010, a teamwork. Both parts are created by Thomas G:son and
Peter Boström.
1.The
text is telling us in the same manner as in 2010 about something
outreaching. Not about a very special person, but about the feeling, the
joy, the happiness, and knowledge of personal strength and stability which is gained by
the possession of, and being love itself.
2. The
music is a very creative, and as it feels, expanding narrowness. The form
is extremely simple in the A-B reapeting, forming a total like A-B, A-B,
A-B-B. As the A part gives a sort of inner conviction, the B part forms it
into a fact. Having the last B part creating it to The Fact Conviction. It
feels real good. It makes me happy.
As I wrote about Lena, I
will have to write about Loreen. Because the song is so slim and narrow in its
construction, thou it opens up for an artistic arena which is reaching a bit
outside the common and normal way of how this show is expected to be felt.
Because it reaches out from the performance into the listener, making the last
one to a part of the whole. That makes it to a total teamwork. Which makes
Loreen and her artistic performance to a Real Winner. Thank You Loreen for a
marvelous contribution. Filled with love, hope and life. Lets be a part of it: Euphoria
Lennart Arivall
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